{"id":12407,"date":"2020-12-01T16:59:53","date_gmt":"2020-12-01T15:59:53","guid":{"rendered":"http:\/\/web.philo.ulg.ac.be\/cegs\/?page_id=12407"},"modified":"2022-06-15T10:37:15","modified_gmt":"2022-06-15T08:37:15","slug":"ses-oeuvres","status":"publish","type":"page","link":"http:\/\/web.philo.ulg.ac.be\/cegs\/ses-oeuvres\/","title":{"rendered":"Ses \u0152uvres"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: #ffffff;background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\">@media only screen and (max-width:1024px) {.fusion-title.fusion-title-1{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important;margin-left:0px!important;}}@media only screen and (max-width:640px) {.fusion-title.fusion-title-1{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-three\" style=\"margin-top:0px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h3 class=\"title-heading-center fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:20;--minFontSize:20px;line-height:2.22;\">SES \u0152UVRES<\/h3><\/div><nav class=\"fusion-menu-element-wrapper direction-row mode-dropdown expand-method-hover submenu-mode-dropdown mobile-mode-collapse-to-button mobile-size-full-absolute icons-position-left dropdown-carets-yes has-active-border-bottom-yes has-active-border-left-yes has-active-border-right-yes mobile-trigger-fullwidth-off mobile-indent-on mobile-justify-left main-justify-left loading mega-menu-loading expand-right submenu-transition-fade\" aria-label=\"Menu\" data-breakpoint=\"1024\" data-count=\"0\" data-transition-type=\"fade\" data-transition-time=\"300\"><button type=\"button\" class=\"avada-menu-mobile-menu-trigger no-text\" onClick=\"fusionNavClickExpandBtn(this);\" aria-expanded=\"false\" aria-controls=\"menu-georges-simenon-menu\"><span class=\"inner\"><span class=\"collapsed-nav-text\"><span class=\"screen-reader-text\">Toggle Navigation<\/span><\/span><span class=\"collapsed-nav-icon\"><span class=\"collapsed-nav-icon-open fa-bars fas\"><\/span><span class=\"collapsed-nav-icon-close fa-times fas\"><\/span><\/span><\/span><\/button><style>.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"],.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] .fusion-menu-element-list .menu-item > a{font-size:18px;}.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] .fusion-menu-element-list{justify-content:center;align-items:center;font-family:inherit;font-weight:400;}.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] .fusion-menu-element-list > li{margin-left:calc(15px \/ 2);margin-right:calc(15px \/ 2);}.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] .fusion-menu-element-list > li:not(.fusion-menu-item-button){background-color:#ffffff;border-radius:10px 10px 10px 10px;}.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] .fusion-menu-element-list > 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.fusion-menu-element-list .sub-menu li a,.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"].collapse-enabled,.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"].collapse-enabled ul li > a,.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"].collapse-enabled ul li > a .fusion-button{font-family:inherit;font-weight:400;}.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] [class*=\"awb-icon-\"],.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"] [class^=\"awb-icon-\"],.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"].collapse-enabled [class*=\"awb-icon-\"],.fusion-body .fusion-menu-element-wrapper[data-count=\"0\"].collapse-enabled [class^=\"awb-icon-\"]{font-family:inherit !important;}<\/style><ul id=\"menu-georges-simenon-menu\" class=\"fusion-menu fusion-custom-menu fusion-menu-element-list\"><li  id=\"menu-item-12416\"  class=\"menu-item menu-item-type-post_type menu-item-object-avada_portfolio menu-item-12416\"  data-item-id=\"12416\"><span class=\"background-default transition-fade\"><\/span><span class=\"background-active transition-fade\"><\/span><a  href=\"http:\/\/web.philo.ulg.ac.be\/cegs\/portfolio-items\/georges-simenon\/\" class=\"fusion-background-highlight\"><span class=\"menu-text\">Georges Simenon<\/span><\/a><\/li><li  id=\"menu-item-12414\"  class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-12414\"  data-item-id=\"12414\"><span class=\"background-default transition-fade\"><\/span><span class=\"background-active transition-fade\"><\/span><a  href=\"http:\/\/web.philo.ulg.ac.be\/cegs\/ses-oeuvres\/\" class=\"fusion-background-highlight\"><span class=\"menu-text\">Ses \u0152uvres<\/span><\/a><\/li><li  id=\"menu-item-12417\"  class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-12417\"  data-item-id=\"12417\"><span class=\"background-default transition-fade\"><\/span><span class=\"background-active transition-fade\"><\/span><a  href=\"http:\/\/web.philo.ulg.ac.be\/cegs\/filmographie\/\" class=\"fusion-background-highlight\"><span class=\"menu-text\">Filmographie<\/span><\/a><\/li><li  id=\"menu-item-12413\"  class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-12413\"  data-item-id=\"12413\"><span class=\"background-default transition-fade\"><\/span><span class=\"background-active transition-fade\"><\/span><a  href=\"http:\/\/web.philo.ulg.ac.be\/cegs\/ouvrages-sur-simenon\/\" class=\"fusion-background-highlight\"><span class=\"menu-text\">Ouvrages sur Simenon<\/span><\/a><\/li><\/ul><\/nav><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-0{width:100% !important;margin-top : 0px;margin-bottom : 50px;}.fusion-builder-column-0 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-0{width:100% !important;order : 0;}.fusion-builder-column-0 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1{ padding-top : 40px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: #ffffff;background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\">@media only screen and (max-width:1024px) {.fusion-title.fusion-title-2{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important;margin-left:0px!important;}}@media only screen and (max-width:640px) {.fusion-title.fusion-title-2{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:0px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h4 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:16;--minFontSize:16px;line-height:2.22;\">\u0152UVRES SOUS PSEUDONYMES<\/h4><\/div><div class=\"fusion-text fusion-text-1\"><p>Les titres cit\u00e9s sont compos\u00e9s en italiques, \u00e0 l\u2019exception des titres de nouvelles qui apparaissent en caract\u00e8res romains<\/p>\n<\/div><style type=\"text\/css\">#accordion-12407-1 .fusion-panel:hover{ border-color: #e0dede } #accordion-12407-1 .fusion-panel { border-color:#e0dede; }.fusion-accordian  #accordion-12407-1 .panel-title a .fa-fusion-box{ color: #333333;}.fusion-accordian  #accordion-12407-1 .panel-title a .fa-fusion-box:before{ font-size: 16px; width: 16px;}.fusion-accordian  #accordion-12407-1 .panel-title a{font-size:16px;line-height:2.22;letter-spacing:2px;color:#333333;font-family:\"Raleway\";font-weight:600;}.fusion-accordian  #accordion-12407-1 .toggle-content{font-size:15px;color:#747474;font-family:\"Open Sans\";font-weight:400;}.fusion-accordian  #accordion-12407-1 .panel-title a:not(.active):hover, #accordion-12407-1 .fusion-toggle-boxed-mode:hover .panel-title a { color: #ffd8c7;}.fusion-accordian  #accordion-12407-1 .fusion-toggle-boxed-mode:hover .panel-title a .fa-fusion-box{ color: #ffd8c7;}.fusion-accordian  #accordion-12407-1.fusion-toggle-icon-unboxed .fusion-panel .panel-title a:not(.active):hover .fa-fusion-box{ color: #ffd8c7 !important;}<\/style><div class=\"accordian fusion-accordian\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion-12407-1\"><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-bbeecf8952e705e5c .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-bbeecf8952e705e5c .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-bbeecf8952e705e5c\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"bbeecf8952e705e5c\" role=\"button\" data-toggle=\"collapse\" data-target=\"#bbeecf8952e705e5c\" href=\"#bbeecf8952e705e5c\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Imprimerie B\u00e9nard, Li\u00e8ge<\/span><\/a><\/h4><\/div><div id=\"bbeecf8952e705e5c\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Georges SIM, Au Pont des Arches, 1921. R\u00e9\u00e9d. :<\/p>\n<p>Paris, \u00c9ditions d\u2019aujourd\u2019hui, 1975;<br \/>\nBruxelles, \u00c9ditions Libro-Sciences, 1989;<br \/>\nParis, Presses de la Cit\u00e9, 1991.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-c77bc5d1193ced45c .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-c77bc5d1193ced45c .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-c77bc5d1193ced45c\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"c77bc5d1193ced45c\" role=\"button\" data-toggle=\"collapse\" data-target=\"#c77bc5d1193ced45c\" href=\"#c77bc5d1193ced45c\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions J. Ferenczi &amp; Fils, Paris<\/span><\/a><\/h4><\/div><div id=\"c77bc5d1193ced45c\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<h4>Collection \u00ab\u00a0Le Petit Livre\u00a0\u00bb<\/h4>\n<p>Jean du PERRY, le Roman d\u2019une dactylo (623), 1924.<br \/>\nJean du PERRY, Amour d\u2019exil\u00e9e (632), 1924.<br \/>\nGeorges SIMM [sic], les Larmes avant le bonheur (638), 1924.<br \/>\nJean du PERRY, l\u2019Heureuse Fin (645), 1925.<br \/>\nJean du PERRY, Pour le sauver (677), 1925.<br \/>\nJean du PERRY, Pour qu\u2019il soit heureux\u2026 (685), 1925.<br \/>\nJean du PERRY, Amour d\u2019Afrique (693), 1926.<br \/>\nJean du PERRY, l\u2019Orgueil d\u2019aimer (704), 1926.<br \/>\nJean du PERRY, Celle qui est aim\u00e9e (716), 1926.<br \/>\nJean du PERRY, Lili Tristesse (747), 1927.<br \/>\nGeorges SIM, D\u00e9fense d\u2019aimer (754), 1927.<br \/>\nGeorges SIM, le Semeur de larmes (810), 1928.<br \/>\nGeorges SIM, Songes d\u2019\u00e9t\u00e9 (828), 1928.<br \/>\nGeorges SIM, le Sang des gitanes (838), 1928.<br \/>\nJean du PERRY, la Fille de l\u2019autre (847), 1929.<br \/>\nJean DORSAGE, Celle qui revient (857), 1929.<br \/>\nJean du PERRY, Coeur de poup\u00e9e (866), 1929.<br \/>\nGeorges-Martin GEORGES, Une ombre dans la nuit (872), 1929.<br \/>\nJean du PERRY, les Amants du malheur (924), 1930.<br \/>\nJacques DERSONNE, les \u00c9tapes du mensonge (937), 1930.<br \/>\nGEORGE-MARTIN-GEORGE [sic], le Bonheur de Lili (947), 1930.<\/p>\n<h4>Collection \u00a0\u00bb Mon livre favori\u00a0\u00bb<\/h4>\n<p>Jean du PERRY, l\u2019Oiseau bless\u00e9 (211), 1925.<br \/>\nJean du PERRY, la Fianc\u00e9e fugitive (221), 1925.<br \/>\nJean du PERRY, Entre deux haines (227), 1925.<br \/>\nJean du PERRY, Ceux qu\u2019on avait oubli\u00e9s\u2026 (241),1925.<br \/>\nJean du PERRY, les Yeux qui ordonnent (272), 1926.<br \/>\nJean du PERRY, De la rue au bonheur (280), 1926.<br \/>\nJean du PERRY, Coeur exalt\u00e9 (364), 1928.<br \/>\nJean du PERRY, Trois Coeurs dans la temp\u00eate (373), 1928.<br \/>\nGeorges SIM, Aimer d\u2019amour (382), 1928.<br \/>\nJean du PERRY, Deux Coeurs de femmes (435), 1929.<br \/>\nJean du PERRY, le Mirage de Paris (440), 1929.<br \/>\nGeorges-Martin GEORGES, la Victime (446), 1929.<br \/>\nJean du PERRY, Celle qui passe (470), 1930.<br \/>\nGeorges MARTIN-GEORGES, Un Nid d\u2019amour (473), 1930.<\/p>\n<h4>Collection \u00ab\u00a0Le Livre \u00e9patant\u00a0\u00bb<\/h4>\n<p>Jean du PERRY, \u00c0 l\u2019assaut d\u2019un coeur (292), 1925.<br \/>\nJean du PERRY, Que ma m\u00e8re l\u2019ignore! (306), 1926.<br \/>\nJean du PERRY, Un p\u00e9ch\u00e9 de jeunesse (315), 1926.<br \/>\nJean du PERRY, Une femme a tu\u00e9 (384), 1929.<br \/>\nJean DOSSAGE [sic], les Deux Ma\u00eetresses (395), 1929.<br \/>\nJean du PERRY, la Femme ardente (415), 1930.<br \/>\nChristian BRULLS, Pour venger son p\u00e8re (430), 1931.<br \/>\nCollection \u00ab\u00a0Le Roman policier\u00a0\u00bb<br \/>\nChristian BRULLS, Nox l\u2019Insaisissable (2), 1926.<\/p>\n<h4>Collection \u00ab\u00a0Le Petit Roman\u00a0\u00bb<\/h4>\n<p>Jean du PERRY, le Fou d\u2019amour (3), 1928.<br \/>\nJacques DERSONNE, Un seul baiser\u2026 (8), 1928.<br \/>\nGeorges-Martin GEORGES, Un soir de vertige\u2026 (10), 1928.<br \/>\nGaston VIALIS, Un petit corps bless\u00e9 (13), 1928.<br \/>\nGEORGES-MARTIN-GEORGES, Brin-d\u2019Amour (16), 1928.<br \/>\nG. VIALIS, Ha\u00efr \u00e0 force d\u2019aimer (20), 1928.<br \/>\nJean du PERRY, les Amants de la mansarde (24), 1928.<br \/>\nChristian BRULLS, Annie, danseuse (28), 1928.<br \/>\nGeorges MARTIN-GEORGES, les Coeurs vides (38), 1928.<br \/>\nGeorges-Martin GEORGES, Cabotine (41), 1928.<br \/>\nJean du PERRY, Un jour de soleil (43), 1928.<br \/>\nG. VIALIO [sic], l\u2019\u00c9treinte tragique (47), 1928.<br \/>\nJean DORSAGE, l\u2019Amour m\u00e9connu (51), 1929.<br \/>\nG. VIOLIS, Rien que pour toi (52), 1929.<br \/>\nGeorges MARTIN-GEORGES, Aimer, mourir (55), 1929.<br \/>\nG. VIOLIS, Trop beau pour elle! (58), 1929.<br \/>\nGeorges-Martin GEORGES, Voleuse d\u2019amour (62), 1929.<br \/>\nJean du PERRY, l\u2019Amour et l\u2019argent (64), 1929.<br \/>\nGaston VIALIS, le Parfum du pass\u00e9 (68), 1929.<br \/>\nGermain d\u2019ANTIBES, H\u00e9las! je t\u2019aime\u2026 (78), 1929.<br \/>\nJean du PERRY, l\u2019\u00c9pave d\u2019amour (84), 1929.<br \/>\nGeorges-Martin GEORGES, Nuit de Paris (90), 1929.<br \/>\nJacques DERSONNE, la Merveilleuse Aventure (102), 1929.<br \/>\nJean DORSAGE, Coeur de jeune fille (115), 1930.<br \/>\nJean du PERRY, Petite Exil\u00e9e (127), 1930.<br \/>\nJean DORSAGE, Soeurette (128), 1930.<br \/>\nGEORGES-MARTIN-GEORGES, Bobette, mannequin (133), 1930.<br \/>\nGaston VIALLIS [sic], Lili-Sourire (136), 1930.<br \/>\nJean du PERRY, la Porte close (139), 1930.<br \/>\nGEORGES-MARTIN-GEORGES, la Puissance du souvenir (145), 1930.<br \/>\nJean du PERRY, la Poup\u00e9e bris\u00e9e (148), 1930.<br \/>\nGaston VIALLIS, Folie d\u2019un soir (151), 1930.<br \/>\nJacques DERSONNE, Baisers mortels (156), 1931.<br \/>\nGEORGES-MARTIN-GEORGES, la Double Vie (157), 1931.<br \/>\nJean DORSAGE, les Chercheurs de bonheur (158), 1931.<br \/>\nJean du PERRY, Pauvre Amante! (163), 1931.<br \/>\nGaston VIALLIS, \u00c2me de jeune fille (165), 1931.<br \/>\nJacques DERSONNE, Victime de son fils (173), 1931.<\/p>\n<h4>Collection \u00ab\u00a0Le Petit Roman d\u2019aventures\u00a0\u00bb<\/h4>\n<p>Christian BRULLS, l\u2019Ile empoisonn\u00e9e (59), 1937.<br \/>\nChristian BRULLS, Seul parmi les gorilles (93), 1937.<br \/>\nCollection \u00ab\u00a0Les Romans d\u2019aventures\u00a0\u00bb<br \/>\nGeorges SIM, le Cercle de la soif (41), 1927.<br \/>\nChristian BRULLS, le D\u00e9sert du froid qui tue (48), 1928.<br \/>\nGeorges SIM, le Monstre blanc de la Terre de Feu (51), 1928.<br \/>\nGeorges SIM, le Lac d\u2019angoisse (57), 1928.<br \/>\nCollection \u00ab\u00a0Le Livre de l\u2019Aventure\u00a0\u00bb<br \/>\nGeorges SIM, le Roi du Pacifique (6), 1929. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nChristian BRULLS, les Pirates du Texas (10), 1929. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, l\u2019Ile des maudits (14), 1929. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nChristian BRULLS, Jacques d\u2019Antifer, roi des \u00eeles du Vent (18), 1930.<br \/>\nGeorges SIM, Nez d\u2019Argent (21), 1930. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-63983388ff947b89d .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-63983388ff947b89d .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-63983388ff947b89d\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"63983388ff947b89d\" role=\"button\" data-toggle=\"collapse\" data-target=\"#63983388ff947b89d\" href=\"#63983388ff947b89d\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Arth\u00e8me Fayard &amp; Cie, Paris<\/span><\/a><\/h4><\/div><div id=\"63983388ff947b89d\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<h4>Collection \u00ab\u00a0Les Ma\u00eetres du roman populaire\u00a0\u00bb<\/h4>\n<p>Georges SIM, Le feu s\u2019\u00e9teint (308), 1927.<br \/>\nChristian BRULLS, Mademoiselle X\u2026 (332), 1928.<br \/>\nGeorges SIM, la Maison sans soleil (340), 1928.<br \/>\nChristian BRULLS, les Adolescents passionn\u00e9s (344), 1928.<br \/>\nGeorges SIM, la Fianc\u00e9e aux mains de glace (356), 1929.<br \/>\nGeorges SIM, Destin\u00e9es (367), 1929.<br \/>\nGeorges SIM, Mademoiselle Million (378), 1930.<br \/>\nChristian BRULLS, Train de nuit (M) (392), 1930. R\u00e9\u00e9d. Julliard, 1991.<br \/>\nGeorges SIM, l\u2019Homme de proie (399), 1931.<br \/>\nChristian BRULLS, la Maison de la haine (404), 1931.<br \/>\nGeorges SIM, les Errants (411), 1931.<br \/>\nChristian BRULLS, la Figurante (M) (422), 1932. R\u00e9\u00e9d. la Jeune Fille aux perles, Julliard, 1991.<br \/>\nGeorges SIM, l\u2019\u00c9pave (428), 1932.<br \/>\nChristian BRULLS, Fi\u00e8vre (433), 1932.<\/p>\n<h4>Collection \u00ab\u00a0Le Livre populaire\u00a0\u00bb<\/h4>\n<p>Georges SIM, Miss Baby (218), 1928.<br \/>\nChristian BRULLS, Dolorosa (226), 1928. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, Chair de beaut\u00e9 (232), 1928. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nChristian BRULLS, l\u2019Amant sans nom (238), 1929. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, la Femme qui tue (251), 1930.<br \/>\nGeorges SIM, la Femme 47 (257), 1930.<br \/>\nChristian BRULLS, l\u2019Inconnue (263), 1930. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nJean du PERRY, Marie-Myst\u00e8re (268), 1931. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, Katia, acrobate (271), 1931.<br \/>\nChristian BRULLS, les For\u00e7ats de Paris (276), 1932.<br \/>\nGeorges SIM, la Fianc\u00e9e du diable (288), 1933. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nChristian BRULLS, l\u2019\u00c9vasion (304), 1934.<\/p>\n<h4>Collection \u00ab\u00a0L\u2019Aventure\u00a0\u00bb<\/h4>\n<p>Georges SIM, les Bandits de Chicago (1), 1929.<br \/>\nChristian BRULLS, Un drame au p\u00f4le Sud (4), 1929.<br \/>\nGeorges SIM, les Contrebandiers de l\u2019alcool (7), 1929.<br \/>\nChristian BRULLS, Captain S.O.S. (11), 1929.<br \/>\nGeorges SIM, l\u2019Homme qui tremble (19), 1930.<\/p>\n<h4>Oeuvres parues uniquement en feuilleton dans diverses publications des \u00e9ditions A. Fayard:<\/h4>\n<p>Georges SIM, L. 53, in \u00a0\u00bb L\u2019Aventure \u00ab\u00a0, nos, 91-92, 14 et 21 mars 1929.<br \/>\nJ.-K. CHARLES, la Police scientifique, in \u00a0\u00bb Ric et Rac \u00ab\u00a0, nos 2-11, 23 mars-25 mai 1929.<br \/>\nChristian BRULLS, les Exploits de Sancette (14 nouvelles), in \u00ab\u00a0Ric et Rac\u00a0\u00bb, nos 10-12-18-24-25-26-28-31-33-38-40-45-47-49, du 18 mai 1929 au 15 f\u00e9vrier 1930.<br \/>\nGeorges SIM, le Document violet, in \u00ab\u00a0La Jeunesse illustr\u00e9e \u00ab\u00a0, nos 1391-1405, du 1er juin au 7 septembre 1930.<br \/>\nChristian BRULLS, la Maison des disparus, in \u00a0\u00bb La jeunesse illustr\u00e9e\u00a0\u00bb, nos 1462-1475, du 11 octobre 1931 au 10 janvier 1932.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-2a4be7e6e307bbd75 .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-2a4be7e6e307bbd75 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-2a4be7e6e307bbd75\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"2a4be7e6e307bbd75\" role=\"button\" data-toggle=\"collapse\" data-target=\"#2a4be7e6e307bbd75\" href=\"#2a4be7e6e307bbd75\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions F. Rouff, Paris<\/span><\/a><\/h4><\/div><div id=\"2a4be7e6e307bbd75\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<h4>Collection \u00ab\u00a0Mon roman\u00a0\u00bb<\/h4>\n<p>Georges d\u2019ISLY, \u00c9toile de cin\u00e9ma (109), 1925.<br \/>\nJean du PERRY, le R\u00eave qui meurt (428), 1931.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-d96d6d9ad29f15eaf .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-d96d6d9ad29f15eaf .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-d96d6d9ad29f15eaf\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"d96d6d9ad29f15eaf\" role=\"button\" data-toggle=\"collapse\" data-target=\"#d96d6d9ad29f15eaf\" href=\"#d96d6d9ad29f15eaf\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Jules Tallandier, Paris<\/span><\/a><\/h4><\/div><div id=\"d96d6d9ad29f15eaf\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<h4>Collection \u00ab\u00a0Grandes Aventures et voyages excentriques\u00a0\u00bb [Collection Bleue]<\/h4>\n<p>Christian BRULLS, la Pr\u00eatresse des Vaudoux (68), 1925.<br \/>\nChristian BRULLS, Se Ma Tsien, le sacrificateur (135), 1926.<br \/>\nGeorges SIM, les Voleurs de navires (153), 1927.<br \/>\nGeorges SIM, le Secret des lamas (194), 1928.<br \/>\nGeorges SIM, les Maudits du Pacifique (201), 1928.<br \/>\nGeorges SIM, le Roi des glaces (215), 1928.<br \/>\nGeorges SIM, le Sous-marin dans la for\u00eat (222), 1928.<br \/>\nGeorges SIM, les Nains des cataractes (238), 1928. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, la Panth\u00e8re borgne (259), 1929. R\u00e9\u00e9d. Presses de la Cit\u00e9, 1980.<br \/>\nGeorges SIM, l\u2019Ile des hommes roux (267), 1929.<br \/>\nGeorges SIM, le Gorille-Roi (274), 1929.<br \/>\nGeorges SIM, 1\u2019OEil de l\u2019Utah (298), 1930. R\u00e9\u00e9d. Julliard, 1992.<br \/>\nGeorges SIM, le P\u00eacheur de bou\u00e9es (314), 1930.<\/p>\n<h4>Collection \u00ab\u00a0Romans Populaires\u00a0\u00bb [Collection Rouge]<\/h4>\n<p>Georges SIM, Les Coeurs perdus (621), 1928.<br \/>\nGeorges SIM, En robe de mari\u00e9e (683), 1929.<br \/>\nGeorges SIM, la Femme en deuil (721), 1929.<\/p>\n<h4>Collection \u00ab\u00a0Romans c\u00e9l\u00e8bres de drame et d\u2019amour\u00a0\u00bb<\/h4>\n<p>Georges SIM, le Chinois de San Francisco (157), 1930.<br \/>\nGeorges SIM, l\u2019Homme \u00e0 la cigarette (183), 1931. R\u00e9\u00e9d. Julliard, 1991.<\/p>\n<h4>Collection \u00ab\u00a0Le Livre de poche\u00a0\u00bb (nouvelle s\u00e9rie)<\/h4>\n<p>Georges MARTIN-GEORGES, l\u2019Orgueil qui meurt (85), 1925.<br \/>\nJean du PERRY, Un tout petit coeur (173), 1927.<\/p>\n<h4>Collection \u00ab\u00a0Criminels et policiers\u00a0\u00bb (1e s\u00e9rie)<\/h4>\n<p>Georges SIM, la Maison de l\u2019inqui\u00e9tude (M) (46), 1932. R\u00e9\u00e9d. Julliard, 1992.<br \/>\nGeorges SIM, Matricule 12 (64), 1932.<\/p>\n<h4>\u00ab\u00a0Id.\u00a0\u00bb (2e s\u00e9rie)<\/h4>\n<p>Georges SIM, la Femme rousse (M) (7), 1933. R\u00e9\u00e9d. Julliard, 1992.<br \/>\nGeorges SIM, le Ch\u00e2teau des Sables Rouges (14), 1933. R\u00e9\u00e9d. Julliard, 1991.<br \/>\nGeorges SIM, Deuxi\u00e8me Bureau (19), 1933.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-f0843567ed2e0f99f .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-f0843567ed2e0f99f .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-f0843567ed2e0f99f\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"f0843567ed2e0f99f\" role=\"button\" data-toggle=\"collapse\" data-target=\"#f0843567ed2e0f99f\" href=\"#f0843567ed2e0f99f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Paris-Plaisirs, Paris<\/span><\/a><\/h4><\/div><div id=\"f0843567ed2e0f99f\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Georges SIM, Paris leste (contes), 1927.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-0a223a3f75f9561df .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-0a223a3f75f9561df .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-0a223a3f75f9561df\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"0a223a3f75f9561df\" role=\"button\" data-toggle=\"collapse\" data-target=\"#0a223a3f75f9561df\" href=\"#0a223a3f75f9561df\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Prima, Paris<\/span><\/a><\/h4><\/div><div id=\"0a223a3f75f9561df\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Gom GUT, Au Grand 13 (contes), 1925.<br \/>\nLuc DORSAN, Nini viol\u00e9e, 1926.<br \/>\nGeorges SIM, Un Monsieur libidineux, 1927.<br \/>\nGeorges SIM, les M\u00e9moires d\u2019un prostitu\u00e9 par lui-m\u00eame, 1929.<\/p>\n<h4>\u00ab\u00a0Collection Gauloise\u00a0\u00bb<\/h4>\n<p>Gom GUT, Un viol aux Quat\u2019z\u2019Arts (21), 1925.<br \/>\nPLICK et PLOCK, Voluptueuses \u00c9treintes (contes) (23), 1925.<br \/>\nGom GUT, Perversit\u00e9s frivoles (contes) (26), 1925.<br \/>\nGom GUT, Plaisirs charnels (contes) (31), 1925.<br \/>\nGom GUT, Aux Vingt-huit N\u00e9gresses (37), 1925.<br \/>\nGom GUT, la Noce \u00e0 Montmartre (42), 1926.<br \/>\nLuc DORSAN, Histoire d\u2019un pantalon (45), 1926.<br \/>\nGom GUT, Liquettes au vent (contes) (47), 1926.<br \/>\nLuc DORSAN, M\u00e9moires d\u2019un vieux suiveur (contes) (53), 1926.<br \/>\nGom GUT, Une petite tr\u00e8s sensuelle (56), 1926.<br \/>\nLuc DORSAN, Nuit de noces (contes) (58), 1926.<br \/>\nGom GUT, Orgies bourgeoises (65), 1926.<br \/>\nGom GUT, l\u2019Homme aux douze \u00e9treintes (70), 1926.<br \/>\nLuc DORSAN, la Pucelle de B\u00e9nouville (72), 1927.<br \/>\nGom GUT, \u00c9treintes passionn\u00e9es (74), 1927.<br \/>\nGom GUT, l\u2019Amant fant\u00f4me (112), 1928.<br \/>\nLuc DORSAN, Un dr\u00f4le de coco (118), 1929.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-790c44bbc7ac50d0a .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-790c44bbc7ac50d0a .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-790c44bbc7ac50d0a\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"790c44bbc7ac50d0a\" role=\"button\" data-toggle=\"collapse\" data-target=\"#790c44bbc7ac50d0a\" href=\"#790c44bbc7ac50d0a\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Illustr\u00e9es (Maxime Ferenczi), Paris<\/span><\/a><\/h4><\/div><div id=\"790c44bbc7ac50d0a\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<h4>Collection \u00ab\u00a0Les Romans dr\u00f4les\u00a0\u00bb<\/h4>\n<p>Gom GUT, Madame veut un amant (1), 1928.<br \/>\nPOUM et ZETTE, Des gens qui exag\u00e8rent (2), 1928.<br \/>\nGom GUT, les Distractions d\u2019H\u00e9l\u00e8ne (4), 1928.<br \/>\nKIM, Un petit poison (5), 1928.<\/p>\n<h4>Collection \u00ab\u00a0Les Romans fol\u00e2tres\u00a0\u00bb<\/h4>\n<p>BOBETTE, Bobette et ses satyres (1), 1928.<br \/>\nGom GUT, l\u2019Amour \u00e0 Montparnasse (2), 1928.<br \/>\nLuc DORSAN, Une petite dessal\u00e9e (3), 1928.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-f32d33938dc6689e5 .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-f32d33938dc6689e5 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-f32d33938dc6689e5\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"f32d33938dc6689e5\" role=\"button\" data-toggle=\"collapse\" data-target=\"#f32d33938dc6689e5\" href=\"#f32d33938dc6689e5\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Soci\u00e9t\u00e9 Parisienne d'\u00c9dition<\/span><\/a><\/h4><\/div><div id=\"f32d33938dc6689e5\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Luc DORSAN, les Mannequins du docteur Cup, in \u00ab Le P\u00eale-M\u00eale \u00bb, nos 168-187, du 8 mai au 18 septembre 1927.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-d74b777317c83dc63 .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-d74b777317c83dc63 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-d74b777317c83dc63\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"d74b777317c83dc63\" role=\"button\" data-toggle=\"collapse\" data-target=\"#d74b777317c83dc63\" href=\"#d74b777317c83dc63\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Presses de la Cit\u00e9, Paris<\/span><\/a><\/h4><\/div><div id=\"d74b777317c83dc63\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Georges SIM, Jehan Pinaguet. Histoire d\u2019un homme simple \u2013 Au Pont des Arches \u2013 Les Ridicules! Portraits, 1991.<br \/>\nNouvelles recueillies dans la Collection \u00ab Omnibus \u00bb TOUT SIMENON (Presses de la Cit\u00e9, 1988-1992)<br \/>\nChristian BRULLS, L\u2019Affaire du canal (in\u00e9dit, 1929): TS, tome 18.<br \/>\nGeorges SIM, Le Yacht et la panth\u00e8re (1930): a) in Simenon parmi nous, Bruxelles, Le Veilleur de nuit, 1985; b) TS, tome 18.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-2f254d2b0e076348f .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-2f254d2b0e076348f .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-2f254d2b0e076348f\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"2f254d2b0e076348f\" role=\"button\" data-toggle=\"collapse\" data-target=\"#2f254d2b0e076348f\" href=\"#2f254d2b0e076348f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u0152uvres in\u00e9dites<\/span><\/a><\/h4><\/div><div id=\"2f254d2b0e076348f\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Georges SIM et H.-J. MOERS, le Bouton de col (1921).<br \/>\nPLICK et PLOCK, le Ch\u00e9ri de Tantine (1928).<br \/>\nJean SANDOR, Julius et sa n\u00e9gresse (1928).<br \/>\nJean du PERRY, les Noces d\u2019Arlette (1928).<br \/>\nPLICK et PLOCK, les Clients de Madame Marthe (1928).<br \/>\nSANDOR, Emma la Gaillarde (1928).<br \/>\nLuc DORSAN, Garde Cl\u00e9mentine! (1928).<br \/>\nLuc DORSAN, le Monsieur du samedi (1928).<br \/>\nSANDOR, Une petite femme sinc\u00e8re (1928).<br \/>\nGom GUT, Un homme ardent (1928).<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-1 .panel-061dfc195e9816906 .panel-title a{}.fusion-accordian  #accordion-12407-1 .panel-061dfc195e9816906 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-061dfc195e9816906\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"061dfc195e9816906\" role=\"button\" data-toggle=\"collapse\" data-target=\"#061dfc195e9816906\" href=\"#061dfc195e9816906\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u0152uvres dont la publication n\u2019a pu \u00eatre \u00e9tablie<\/span><\/a><\/h4><\/div><div id=\"061dfc195e9816906\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Nous indiquons entre parenth\u00e8ses la maison d\u2019\u00e9dition contact\u00e9e et la date de remise du manuscrit.<\/p>\n<p>Place du Mont Everest (J. Ferenczi, 8-07-1924).<br \/>\nCourtisane par amour (\u00c9d. Froufrou, 22-07-1924).<br \/>\nMarie Ledru (Colette \u2013 \u00bb Le Matin \u00ab , 6-10-24) [nouvelle?].<br \/>\nL\u2019Envers d\u2019une passion (F. Rouff, contrat: 8-02-1927).<br \/>\nLily-Palace (A. Fayard, contrat: 30-09-1929).<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-1{width:100% !important;margin-top : 0px;margin-bottom : 50px;}.fusion-builder-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-2{ padding-top : 0px;margin-top : 30px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: #ffffff;background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"max-width:1216.8px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><style type=\"text\/css\">@media only screen and (max-width:1024px) {.fusion-title.fusion-title-3{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important;margin-left:0px!important;}}@media only screen and (max-width:640px) {.fusion-title.fusion-title-3{margin-top:0px!important; margin-right:0px!important;margin-bottom:20px!important; margin-left:0px!important;}}<\/style><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:0px;margin-right:0px;margin-bottom:20px;margin-left:0px;\"><h4 class=\"title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:16;--minFontSize:16px;line-height:2.22;\">\u0152UVRES SOUS PATRONYME<\/h4><\/div><style type=\"text\/css\">#accordion-12407-2 .fusion-panel:hover{ border-color: #e0dede } #accordion-12407-2 .fusion-panel { border-color:#e0dede; }.fusion-accordian  #accordion-12407-2 .panel-title a .fa-fusion-box{ color: #333333;}.fusion-accordian  #accordion-12407-2 .panel-title a .fa-fusion-box:before{ font-size: 16px; width: 16px;}.fusion-accordian  #accordion-12407-2 .panel-title a{font-size:16px;line-height:2.22;letter-spacing:2px;color:#333333;font-family:\"Raleway\";font-weight:600;}.fusion-accordian  #accordion-12407-2 .toggle-content{font-size:15px;color:#747474;font-family:\"Open Sans\";font-weight:400;}.fusion-accordian  #accordion-12407-2 .panel-title a:not(.active):hover, #accordion-12407-2 .fusion-toggle-boxed-mode:hover .panel-title a { color: #ffd8c7;}.fusion-accordian  #accordion-12407-2 .fusion-toggle-boxed-mode:hover .panel-title a .fa-fusion-box{ color: #ffd8c7;}.fusion-accordian  #accordion-12407-2.fusion-toggle-icon-unboxed .fusion-panel .panel-title a:not(.active):hover .fa-fusion-box{ color: #ffd8c7 !important;}<\/style><div class=\"accordian fusion-accordian\"><div class=\"panel-group fusion-toggle-icon-unboxed\" id=\"accordion-12407-2\"><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-02f3393c9f14f5d08 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-02f3393c9f14f5d08 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-02f3393c9f14f5d08\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"02f3393c9f14f5d08\" role=\"button\" data-toggle=\"collapse\" data-target=\"#02f3393c9f14f5d08\" href=\"#02f3393c9f14f5d08\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Arth\u00e8me Fayard &amp; Cie<\/span><\/a><\/h4><\/div><div id=\"02f3393c9f14f5d08\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Monsieur Gallet, d\u00e9c\u00e9d\u00e9 (M), 1931.<br \/>\nle Pendu de Saint-Pholien (M), 1931.<br \/>\nle Charretier de la \u00ab Providence \u00bb (M), 1931.<br \/>\nle Chien jaune (M), 1931.<br \/>\nPietr-le-Letton (M), 1931.<br \/>\nla Nuit du carrefour (M), 1931.<br \/>\nUn crime en Hollande (M), 1931.<br \/>\nAu Rendez-vous-des-Terre-Neuvas (M), 1931.<br \/>\nla T\u00eate d\u2019un homme (M), 1931.<br \/>\nle Relais-d\u2019Alsace, 1931.<br \/>\nla Danseuse du Gai-Moulin (M), 1931.<br \/>\nla Guinguette \u00e0 deux sous (M), 1932.<br \/>\nl\u2019Ombre chinoise (M), 1932.<br \/>\nl\u2019Affaire Saint-Fiacre (M), 1932.<br \/>\nChez les Flamands (M), 1932.<br \/>\nle Fou de Bergerac (M), 1932.<br \/>\nle Port des brumes (M), 1932.<br \/>\nle Passager du \u00bb Polarlys \u00ab , 1932.<br \/>\nLiberty-Bar (M), 1932.<br \/>\nLes Treize Coupables (nouvelles), 1932.<br \/>\nLes Treize Enigmes (nouvelles), 1932.<br \/>\nLes Treize Myst\u00e8res (nouvelles), 1932.<br \/>\nles Fian\u00e7ailles de M. Hire, 1933.<br \/>\nle Coup de lune, 1933.<br \/>\nla Maison du canal, 1933.<br \/>\nL\u2019\u00c9cluse Nol (M), 1933.<br \/>\nl\u2019\u00c2ne-Rouge, 1933.<br \/>\nles Gens d\u2019en face, 1933.<br \/>\nle Haut Mal, 1933.<br \/>\nl\u2019Homme de Londres, 1934.<br \/>\nMaigret (M), 1934.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-ff460efccf27b0ae6 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-ff460efccf27b0ae6 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-ff460efccf27b0ae6\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"ff460efccf27b0ae6\" role=\"button\" data-toggle=\"collapse\" data-target=\"#ff460efccf27b0ae6\" href=\"#ff460efccf27b0ae6\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions Jacques Haumont<\/span><\/a><\/h4><\/div><div id=\"ff460efccf27b0ae6\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>La Folle d\u2019Itteville, 1931.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-e4fc0a5bf11d93790 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-e4fc0a5bf11d93790 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-e4fc0a5bf11d93790\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"e4fc0a5bf11d93790\" role=\"button\" data-toggle=\"collapse\" data-target=\"#e4fc0a5bf11d93790\" href=\"#e4fc0a5bf11d93790\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions N.R.F.-Gallimard<\/span><\/a><\/h4><\/div><div id=\"e4fc0a5bf11d93790\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Le Locataire, 1934.<br \/>\nles Suicid\u00e9s, 1934.<br \/>\nles Pitard, 1935.<br \/>\nles Clients d\u2019Avrenos, 1935.<br \/>\nQuartier n\u00e8gre, 1935.<br \/>\nl\u2019\u00c9vad\u00e9, 1936.<br \/>\nLong Cours, 1936.<br \/>\nles Demoiselles de Concarneau, 1936.<br \/>\n45\u00ba \u00e0 l\u2019ombre, 1936.<br \/>\nle Testament Donadieu, 1937.<br \/>\nl\u2019Assassin, 1937.<br \/>\nle Blanc \u00e0 lunettes, 1937.<br \/>\nFaubourg, 1937.<br \/>\nCeux de la soif, 1938.<br \/>\nChemin sans issue, 1938.<br \/>\nles Sept Minutes (nouvelles: le Grand-Langoustier \u2013 la Nuit des sept minutes \u2013 l\u2019\u00c9nigme de la \u00bb Marie-Galante \u00bb), 1938. Recueil r\u00e9\u00e9dit\u00e9 par la suite sous le titre de G 7.<br \/>\nles Rescap\u00e9s du \u00ab T\u00e9l\u00e9maque \u00bb, 1938.<br \/>\nles Trois Crimes de mes amis, 1938.<br \/>\nla Mauvaise \u00c9toile, 1938.<br \/>\nle Suspect, 1938.<br \/>\nles Soeurs Lacroix, 1938.<br \/>\nTouriste de bananes, 1938.<br \/>\nMonsieur La Souris, 1938.<br \/>\nla Marie du port, 1938.<br \/>\nl\u2019Homme qui regardait passer les trains, 1938.<br \/>\nle Cheval-Blanc, 1938.<br \/>\nle Coup-de-Vague, 1939.<br \/>\nChez Krull, 1939.<br \/>\nle Bourgmestre de Furnes, 1939.<br \/>\nMalempin, 1940.<br \/>\nles Inconnus dans la maison, 1940.<br \/>\nCour d\u2019assises, 1941.<br \/>\nBergelon, 1941.<br \/>\nl\u2019Outlaw, 1941.<br \/>\nIl pleut, berg\u00e8re\u2026 , 1941.<br \/>\nle Voyageur de la Toussaint, 1941.<br \/>\nla Maison des sept jeunes filles, 1941.<br \/>\nOncle Charles s\u2019est enferm\u00e9, 1942.<br \/>\nla Veuve Couderc, 1942.<br \/>\nMaigret revient\u2026 : C\u00e9cile est morte (M) \u2013 les Caves du Majestic (M) \u2013 la Maison du juge (M), 1942.<br \/>\nle Fils Cardinaud, 1942.<br \/>\nla V\u00e9rit\u00e9 sur B\u00e9b\u00e9 Donge, 1942.<br \/>\nLe Petit Docteur (nouvelles : le Flair du Petit Docteur \u2013 la Demoiselle en bleu p\u00e2le \u2013 Une femme a cri\u00e9 \u2013 le Fant\u00f4me de M. Marbe \u2013 les Mari\u00e9s du 1er d\u00e9cembre \u2013 le Mort tomb\u00e9 du ciel \u2013 la Bonne Fortune du Hollandais \u2013 le Passager et son n\u00e8gre \u2013 la Piste de l\u2019homme roux \u2013 l\u2019Amiral a disparu \u2013 la Sonnette d\u2019alarme \u2013 le Ch\u00e2teau de l\u2019arsenic \u2013 l\u2019Amoureux aux pantoufles), 1943.<br \/>\nles Dossiers de L\u2019Agence O (nouvelles: la Cage d\u2019\u00c9mile \u2013 la Cabane en bois \u2013 l\u2019Homme tout nu \u2013 l\u2019Arrestation du musicien \u2013 l\u2019\u00c9trangleur de Moret \u2013 le Vieillard au porte-mine \u2013 les Trois Bateaux de la calanque \u2013 la Fleuriste de Deauville \u2013 le Ticket de m\u00e9tro \u2013 \u00c9mile \u00e0 Bruxelles \u2013 le Prisonnier de Lagny \u2013 le Club des vieilles dames \u2013 le Docteur Tant-Pis \u2013 le Chantage de l\u2019Agence O), 1943.<br \/>\nSign\u00e9 Picpus, suivi de l\u2019Inspecteur Cadavre \u2013 F\u00e9licie est l\u00e0, et des \u00abNouvelles exotiques\u00bb: l\u2019Escale de Buenaventura \u2013 Un crime au Gabon \u2013 le Policier d\u2019Istanbul \u2013 l\u2019Enqu\u00eate de Mademoiselle Doche \u2013 la Ligne du d\u00e9sert, 1944.<br \/>\nle Rapport du gendarme, 1944.<br \/>\nles Nouvelles Enqu\u00eates de Maigret (M) (nouvelles: la P\u00e9niche aux deux pendus \u2013 l\u2019Affaire du boulevard Beaumarchais \u2013 la Fen\u00eatre ouverte \u2013 Monsieur Lundi \u2013 Jeumont, 51 minutes d\u2019arr\u00eat! \u2013 Peine de mort \u2013 les Larmes de bougie \u2013 Rue Pigalle \u2013 Une erreur de Maigret \u2013 l\u2019Amoureux de Madame Maigret \u2013 la Vieille Dame de Bayeux \u2013 l\u2019Auberge aux Noy\u00e9s \u2013 Stan le Tueur \u2013 l\u2019\u00c9toile du Nord \u2013 Temp\u00eate sur la Manche \u2013 Mademoiselle Berthe et son amant \u2013 le Notaire de Ch\u00e2teauneuf), 1944.<br \/>\nl\u2019A\u00een\u00e9 des Ferchaux, 1945.<br \/>\nles Noces de Poitiers, 1946.<br \/>\nle Cercle des Mah\u00e9, 1946.<br \/>\nle Clan des Ostendais, 1947.<br \/>\nle Bilan Mal\u00e9tras, 1948.<br \/>\nle Ch\u00e2le de Marie Dudon (nouvelle \u00e0 la suite du Testament Donadieu, 1954).<br \/>\nLe Bateau d\u2019\u00c9mile (nouvelles: la Femme du pilote \u2013 le Doigt de Barraquier \u2013 Val\u00e9rie s\u2019en va \u2013 l\u2019\u00c9pingle en fer \u00e0 cheval \u2013 le Baron de l\u2019\u00e9cluse, ou la Croisi\u00e8re du \u00bb Potam \u00bb \u2013 le N\u00e8gre s\u2019est endormi \u2013 le Deuil de Fonsine \u2013 l\u2019Homme \u00e0 barbe \u2013 le Bateau d\u2019\u00c9mile), 1954.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-db012edbba52cc4a7 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-db012edbba52cc4a7 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-db012edbba52cc4a7\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"db012edbba52cc4a7\" role=\"button\" data-toggle=\"collapse\" data-target=\"#db012edbba52cc4a7\" href=\"#db012edbba52cc4a7\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9ditions de la Jeune Parque<\/span><\/a><\/h4><\/div><div id=\"db012edbba52cc4a7\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>la Fen\u00eatre des Rouet, 1945.<br \/>\nla Fuite de Monsieur Monde, 1945.<br \/>\nle Passager clandestin, 1947.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-64f3ead71c1f9e106 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-64f3ead71c1f9e106 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-64f3ead71c1f9e106\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"64f3ead71c1f9e106\" role=\"button\" data-toggle=\"collapse\" data-target=\"#64f3ead71c1f9e106\" href=\"#64f3ead71c1f9e106\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Presses de la Cit\u00e9<\/span><\/a><\/h4><\/div><div id=\"64f3ead71c1f9e106\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Je me souviens\u2026, 1945.<br \/>\nTrois Chambres \u00e0 Manhattan, 1946.<br \/>\nAu bout du rouleau, 1947.<br \/>\nMaigret se f\u00e2che (M), suivi de: la Pipe de Maigret (M), 1947.<br \/>\nMaigret \u00e0 New York (M), 1947.<br \/>\nLettre \u00e0 mon juge, 1947.<br \/>\nle Destin des Malou, 1947.<br \/>\nMaigret et l\u2019inspecteur Malchanceux [puis Malgracieux] (M) (nouvelles: Maigret et l\u2019inspecteur Malchanceux [Malgracieux] \u2013 le T\u00e9moignage de l\u2019enfant de choeur \u2013 le Client le plus obstin\u00e9 du monde \u2013 On ne tue pas les pauvres types), 1947.<br \/>\nla Jument-Perdue, 1948.<br \/>\nMaigret et son mort (M), 1948.<br \/>\nles Vacances de Maigret (M), 1948.<br \/>\nla Neige \u00e9tait sale, 1948.<br \/>\nPedigree, 1948.<br \/>\nle Fond de la bouteille, 1949.<br \/>\nla Premi\u00e8re Enqu\u00eate de Maigret (1913) (M), 1949.<br \/>\nles Fant\u00f4mes du chapelier, 1949.<br \/>\nMon ami Maigret (M), 1949.<br \/>\nles Quatre Jours du pauvre homme, 1949.<br \/>\nMaigret chez le coroner (M), 1949.<br \/>\nUn nouveau dans la ville, 1950.<br \/>\nMaigret et la vieille dame (M), 1950.<br \/>\nl\u2019Amie de Madame Maigret (M), 1950.<br \/>\nl\u2019Enterrement de Monsieur Bouvet, 1950.<br \/>\nles Petits Cochons sans queue (nouvelles: les Petits Cochons sans queue \u2013 Sous peine de mort \u2013 le Petit Tailleur et le chapelier \u2013 Un certain Monsieur Berquin \u2013 l\u2019Escale de Buenaventura \u2013 l\u2019Homme dans la rue (M) \u2013 Vente \u00e0 la bougie (M) \u2013 le Deuil de Fonsine \u2013 Madame Quatre et ses enfants), 1950.<br \/>\nles Volets verts, 1950.<br \/>\nTante Jeanne, 1950.<br \/>\nles M\u00e9moires de Maigret (M), 1950.<br \/>\nle Temps d\u2019Ana\u00efs, 1951.<br \/>\nUn No\u00ebl de Maigret (nouvelles: Un No\u00ebl de Maigret (M) \u2013 Sept Petites Croix dans un carnet \u2013 le Petit Restaurant des Ternes), 1951.<br \/>\nMaigret au Picratt\u2019s (M), 1951.<br \/>\nMaigret en meubl\u00e9 (M), 1951.<br \/>\nUne vie comme neuve, 1951.<br \/>\nMaigret et la Grande Perche (M), 1951.<br \/>\nMarie qui louche, 1951.<br \/>\nMaigret, Lognon et les gangsters (M), 1952.<br \/>\nla Mort de Belle, 1952.<br \/>\nle Revolver de Maigret (M), 1952.<br \/>\nles Fr\u00e8res Rico, 1952.<br \/>\nMaigret et l\u2019homme du banc (M), 1953.<br \/>\nAntoine et Julie, 1953.<br \/>\nMaigret a peur (M), 1953.<br \/>\nl\u2019Escalier de fer, 1953.<br \/>\nFeux rouges, 1953.<br \/>\nMaigret se trompe (M), 1953.<br \/>\nCrime impuni, 1954.<br \/>\nMaigret \u00e0 l\u2019\u00e9cole (M), 1954.<br \/>\nMaigret et la jeune morte (M), 1954.<br \/>\nl\u2019Horloger d\u2019Everton, 1954.<br \/>\nle Grand Bob, 1954.<br \/>\nMaigret chez le ministre (M), 1955.<br \/>\nles T\u00e9moins, 1955.<br \/>\nMaigret et le corps sans t\u00eate (M), 1955<br \/>\nla Boule noire, 1955.<br \/>\nMaigret tend un pi\u00e8ge (M), 1955.<br \/>\nles Complices, 1956.<br \/>\nEn cas de malheur, 1956.<br \/>\nUn \u00e9chec de Maigret (M), 1956.<br \/>\nle Petit Homme d\u2019Arkhangelsk, 1956.<br \/>\nMaigret s\u2019amuse (M), 1957.<br \/>\nle Fils, 1957.<br \/>\nle N\u00e8gre, 1957.<br \/>\nMaigret voyage (M), 1957.<br \/>\nStrip-tease, 1958.<br \/>\nles Scrupules de Maigret (M), 1958.<br \/>\nle Pr\u00e9sident, 1958.<br \/>\nle Passage de la ligne, 1958.<br \/>\nDimanche, 1958.<br \/>\nla Femme en France (essai), 1959.<br \/>\nMaigret et les t\u00e9moins r\u00e9calcitrants (M), 1959.<br \/>\nle Roman de l\u2019homme (essai), 1959.<br \/>\nUne confidence de Maigret (M), 1959.<br \/>\nla Vieille, 1959.<br \/>\nle Veuf, 1959.<br \/>\nMaigret aux assises (M), 1960.<br \/>\nl\u2019Ours en peluche, 1960.<br \/>\nMaigret et les vieillards (M), 1960.<br \/>\nBetty, 1961.<br \/>\nle Train, 1961.<br \/>\nMaigret et le voleur paresseux (M), 1961.<br \/>\nla Porte, 1962.<br \/>\nles Autres, 1962.<br \/>\nMaigret et les braves gens (M), 1962.<br \/>\nMaigret et le client du samedi (M), 1962.<br \/>\nMaigret et le clochard (M), 1963.<br \/>\nles Anneaux de Bic\u00eatre, 1963.<br \/>\nla Col\u00e8re de Maigret (M), 1963.<br \/>\nla Rue aux trois poussins (nouvelles: la Rue aux trois poussins \u2013 le Comique du \u00bb Saint-Antoine \u00bb \u2013 le Mari de M\u00e9lie \u2013 le Capitaine du \u00ab Vasco \u00bb \u2013 le Deuil de Fonsine \u2013 le Crime du Malgracieux \u2013 le Docteur de Kirkenes \u2013 la Piste du Hollandais \u2013 les Demoiselles de Queue-de-Vache \u2013 le Matin des trois absoutes \u2013 le Naufrage de l\u2019\u00ab Armoire-\u00e0-glace\u00bb \u2013 les Mains pleines \u2013 Nicolas \u2013 Annette et la dame blonde), 1963.<br \/>\nla Chambre bleue, 1964.<br \/>\nl\u2019Homme au petit chien, 1964.<br \/>\nMaigret et le fant\u00f4me (M), 1964.<br \/>\nMaigret se d\u00e9fend (M), 1964.<br \/>\nle Petit Saint, 1965.<br \/>\nle Train de Venise, 1965.<br \/>\nla Patience de Maigret (M), 1965.<br \/>\nle Confessionnal, 1966.<br \/>\nla Mort d\u2019Auguste, 1966.<br \/>\nMaigret et l\u2019affaire Nahour (M), 1967.<br \/>\nle Chat, 1967.<br \/>\nle Voleur de Maigret (M), 1967.<br \/>\nle D\u00e9m\u00e9nagement, 1967.<br \/>\nMaigret \u00e0 Vichy (M), 1968.<br \/>\nla Prison, 1968.<br \/>\nMaigret h\u00e9site (M), 1968.<br \/>\nla Main, 1968.<br \/>\nl\u2019Ami d\u2019enfance de Maigret (M), 1968.<br \/>\nIl y a encore des noisetiers, 1969.<br \/>\nNovembre, 1969.<br \/>\nMaigret et le tueur (M), 1969.<br \/>\nMaigret et le marchand de vin (M), 1970.<br \/>\nQuand j\u2019\u00e9tais vieux, 1970.<br \/>\nle Riche Homme, 1970.<br \/>\nla Folle de Maigret (M), 1970.<br \/>\nla Disparition d\u2019Odile, 1971.<br \/>\nMaigret et l\u2019homme tout seul (M), 1971.<br \/>\nla Cage de verre, 1971.<br \/>\nMaigret et l\u2019indicateur (M), 1971.<br \/>\nles Innocents, 1972.<br \/>\nMaigret et Monsieur Charles (M), 1972.<br \/>\nLettre \u00e0 ma m\u00e8re, 1974.<br \/>\n\u00ab Mes dict\u00e9es \u00bb :<br \/>\nUn homme comme un autre, 1975.<br \/>\nDes traces de pas, 1975.<br \/>\nles Petits Hommes, 1976.<br \/>\nVent du nord, vent du sud, 1976.<br \/>\nUn banc au soleil, 1977.<br \/>\nDe la cave au grenier, 1977.<br \/>\n\u00c0 l\u2019abri de notre arbre, 1977.<br \/>\nTant que je suis vivant, 1978.<br \/>\nVacances obligatoires, 1978.<br \/>\nla Main dans la main, 1978.<br \/>\nAu-del\u00e0 de ma porte-fen\u00eatre, 1978.<br \/>\nJe suis rest\u00e9 un enfant de choeur, 1979.<br \/>\n\u00c0 quoi bon jurer ?, 1979.<br \/>\nPoint-virgule, 1979.<br \/>\nle Prix d\u2019un homme, 1980.<br \/>\nOn dit que j\u2019ai soixante-quinze ans, 1980.<br \/>\nQuand vient le froid, 1980.<br \/>\nles Libert\u00e9s qu\u2019il nous reste, 1981.<br \/>\nla Femme endormie, 1981.<br \/>\nJour et nuit, 1981.<br \/>\nDestin\u00e9es, 1981.<br \/>\nM\u00e9moires intimes, suivis du \u00ab Livre de Marie-Jo \u00ab , 1981.<br \/>\nTrois nouvelles in\u00e9dites: la Chanteuse de Pigalle \u2013 l\u2019Invalide \u00e0 la t\u00eate de bois \u2013 le Gros Lot, TS, tome 12 (suppl\u00e9ment), 1990.<br \/>\nTOUT SIMENON : Presses de la Cit\u00e9, Collection \u00ab Omnibus \u00bb, 1988-1993 (tomes 1 \u00e0 25 : oeuvre romanesque, tomes 26 et 27 : \u00e9crits autobiographiques).<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-04a5c43d9157844d1 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-04a5c43d9157844d1 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-04a5c43d9157844d1\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"04a5c43d9157844d1\" role=\"button\" data-toggle=\"collapse\" data-target=\"#04a5c43d9157844d1\" href=\"#04a5c43d9157844d1\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">\u00c9diteurs divers<\/span><\/a><\/h4><\/div><div id=\"04a5c43d9157844d1\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Conf\u00e9rence sur: l\u2019Aventure [1937], Lyon, \u00c9ditions de Savoie, 1945.<br \/>\nLong Cours sur les rivi\u00e8res et canaux (reportage), Li\u00e8ge, \u00c9ditions Dynamo, 1952.<br \/>\n\u00c0 la d\u00e9couverte de la France (Reportages I), Paris, Union G\u00e9n\u00e9rale d\u2019\u00c9ditions, 1976.<br \/>\n\u00c0 la recherche de l\u2019homme nu (Reportages II), Paris, Union G\u00e9n\u00e9rale d\u2019\u00c9ditions, 1976.<br \/>\n\u00c0 la rencontre des autres (Reportages III), Paris, Union G\u00e9n\u00e9rale d\u2019\u00c9ditions, 1989.<br \/>\nle Drame myst\u00e9rieux des \u00eeles Galapagos (reportage), Bruxelles, Les Amis de Georges Simenon, 1991.<br \/>\nPortrait-souvenir de Balzac et autres textes sur la litt\u00e9rature, Paris, Christian Bourgois, 1991.<br \/>\nTahiti, ou les Gangsters dans l\u2019archipel des amours (reportage: premi\u00e8re publication dans son int\u00e9gralit\u00e9), in \u00ab Gulliver \u00bb, revue litt\u00e9raire, n\u00ba 10, hiver-printemps 1993, Paris.<br \/>\nHistoires de partout et d\u2019ailleurs (chroniques : premi\u00e8re publication int\u00e9grale), Bruxelles, Les Amis de Georges Simenon.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-ec2a73ce3b9a8d305 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-ec2a73ce3b9a8d305 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-ec2a73ce3b9a8d305\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"ec2a73ce3b9a8d305\" role=\"button\" data-toggle=\"collapse\" data-target=\"#ec2a73ce3b9a8d305\" href=\"#ec2a73ce3b9a8d305\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Publication non d\u00e9termin\u00e9e<\/span><\/a><\/h4><\/div><div id=\"ec2a73ce3b9a8d305\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>l\u2019Invraisemblable Monsieur Prou (1942).<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-4cc959a35929fe5e6 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-4cc959a35929fe5e6 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-4cc959a35929fe5e6\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"4cc959a35929fe5e6\" role=\"button\" data-toggle=\"collapse\" data-target=\"#4cc959a35929fe5e6\" href=\"#4cc959a35929fe5e6\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Nouvelles \u00e9parses<\/span><\/a><\/h4><\/div><div id=\"4cc959a35929fe5e6\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>Ces nouvelles ont \u00e9t\u00e9 publi\u00e9es dans divers journaux ou revues avant d\u2019\u00eatre recueillies pour la premi\u00e8re fois dans les Oeuvres compl\u00e8tes (\u00c9ditions Rencontre, 1967-1973) ou dans la Collection \u00bb Omnibus \u00bb TOUT SIMENON (Presses de la Cit\u00e9, 1988-1993):<br \/>\nSing-Sing, ou la Maison des trois marches (1931): TS, tome 18.<br \/>\nMademoiselle Augustine (1932): TS, tome 18.<br \/>\nMoss et Hoch (1933): TS, tome 18.<br \/>\nl\u2019As de l\u2019arrestation (1934): TS, tome 18.<br \/>\nl\u2019Oranger des \u00eeles Marquises (1936): TS, tome 22.<br \/>\nMonsieur Mimosa (1937): TS, tome 22.<br \/>\nles Trois Messieurs du Consortium (1938): TS, tome 22.<br \/>\nl\u2019Homme qui mitraillait les rats (1938): TS, tome 22.<br \/>\nl\u2019Improbable Monsieur Owen (M) (1938): a) OC, tome IX; b) TS, tome 25.<br \/>\nCeux du Grand Caf\u00e9 (M) (1938): a) OC, tome IX; b) TS, tome 25.<br \/>\nles Myst\u00e8res du Grand Saint-Georges (1938): a) OC, tome XXV; b) TS, tome 24.<br \/>\nla T\u00eate de Joseph (1939): a) OC, tome XXV; b) TS, tome 22.<br \/>\nLittle Samuel \u00e0 Tahiti (1939): a) OC, tome XXV; b) TS, tome 22.<br \/>\nle Vieux Couple de Cherbourg (1940): a) OC, tome XXV; b) TS, tome 22.<br \/>\nla R\u00e9volte du Canari (1940): a) OC, tome 26; b) TS, tome 22.<br \/>\nle Destin de Monsieur Saft (1940): a) OC, tome 26; b) TS, tome 22.<br \/>\nles Cent Mille Francs de P\u2019tite Madame (1941): TS, tome 22.<br \/>\nl\u2019Aventurier au parapluie (1941): TS, tome 22.<br \/>\nla Cabane \u00e0 Flipke (1941): TS, tome 22.<br \/>\nMenaces de mort (M) (1942): TS, tome 25.<\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">.fusion-accordian  #accordion-12407-2 .panel-289d0d4119fdd1ff1 .panel-title a{}.fusion-accordian  #accordion-12407-2 .panel-289d0d4119fdd1ff1 .toggle-content{}<\/style><div class=\"fusion-panel panel-default panel-289d0d4119fdd1ff1\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\"><a aria-expanded=\"false\" aria-controls=\"289d0d4119fdd1ff1\" role=\"button\" data-toggle=\"collapse\" data-target=\"#289d0d4119fdd1ff1\" href=\"#289d0d4119fdd1ff1\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Nouvelle non encore recueillie en volume<\/span><\/a><\/h4><\/div><div id=\"289d0d4119fdd1ff1\" class=\"panel-collapse collapse \"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>les Nol\u00e9pitois, in \u00ab Elle \u00bb, nos 901-902, 29 mars et 5 avril 1963.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-2{width:100% !important;margin-top : 0px;margin-bottom : 50px;}.fusion-builder-column-2 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-2{width:100% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-2{width:100% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-3{ padding-top : 0px;margin-top : 30px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12407","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/pages\/12407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/comments?post=12407"}],"version-history":[{"count":5,"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/pages\/12407\/revisions"}],"predecessor-version":[{"id":12546,"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/pages\/12407\/revisions\/12546"}],"wp:attachment":[{"href":"http:\/\/web.philo.ulg.ac.be\/cegs\/wp-json\/wp\/v2\/media?parent=12407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}