{"id":3421,"date":"2014-07-03T10:43:24","date_gmt":"2014-07-03T09:43:24","guid":{"rendered":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/?page_id=3421"},"modified":"2016-12-01T14:54:02","modified_gmt":"2016-12-01T13:54:02","slug":"emilie-corswarem","status":"publish","type":"page","link":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/emilie-corswarem\/","title":{"rendered":"\u00c9milie Corswarem"},"content":{"rendered":"<div class=\"heading-wrapper\"><h6><span class=\"heading-line-left\"><\/span><strong>Membres<\/strong><span class=\"heading-line-right\"><\/span><\/h6><\/div>\n<div class=\"column column-1-3\"><div class=\"staff-wrapper\"><img decoding=\"async\" src=\"\" alt=\"\"\/><div class=\"person-name\">\u00c9milie Corswarem<i class=\"moon-users-2\"><\/i><\/div><div class=\"person-title\">FNRS, ULg<\/div><div class=\"person-description\"><\/div><\/div><\/div>\n<div class=\"column column-2-3 column-last\">\n<div class=\"su-accordion\">\n<div class=\"su-spoiler su-spoiler-style-1 su-spoiler-open\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Pr\u00e9sentation<\/strong><\/div><div class=\"su-spoiler-content\" style=\"display:block\">\n<p style=\"text-align: justify;\">Docteur en Histoire, art et arch\u00e9ologie (musicologie) de l\u2019Universit\u00e9 de Li\u00e8ge (2008), \u00c9milie Corswarem est chercheur qualifi\u00e9 FRS-FNRS (Universit\u00e9 de Li\u00e8ge) et ma\u00eetre de conf\u00e9rences \u00e0 l\u2019Universit\u00e9 de Li\u00e8ge.<\/p>\n<p style=\"text-align: justify;\">Ses recherches se concentrent dans le champ de l\u2019histoire sociale et anthropologique de la musique aux XVIe et XVIIe si\u00e8cles. Elle se focalise plus particuli\u00e8rement sur des questions de musique urbaine, de transferts artistiques et de m\u00e9c\u00e9nat en lien avec le genre du madrigal italien dans les anciens Pays-Bas et la vie musicale des \u00e9glises nationales\u00a0\u00e0 Rome. Elle dirige le projet <em>Le mod\u00e8le musical des \u00e9glises nationales \u00e0 Rome \u00e0 l\u2019\u00e9poque baroque<\/em> (BEIPD-COFUND-IDP, Programme Marie Curie-Universit\u00e9 de Li\u00e8ge).<\/p>\n<p style=\"text-align: justify;\">Sa th\u00e8se de doctorat <em>De la ville \u00e0 l\u2019\u00e9glise. Musique et musiciens \u00e0 Li\u00e8ge sous Ernest et Ferdinand de Bavi\u00e8re (1581-1650)<\/em>, est en cours de publication chez Brepols. Elle a dirig\u00e9 l\u2019ouvrage collectif <em>Musique et j\u00e9suites en provinces flandro- et gallo- belges aux XVIIe\u00a0 et XVIIIe si\u00e8cles<\/em> (<em>Revue de la Soci\u00e9t\u00e9 li\u00e9geoise de musicologie<\/em>, 28) et consacr\u00e9 plusieurs articles \u00e0 la musique urbaine, au m\u00e9c\u00e9nat musical des princes de Bavi\u00e8re et aux \u00e9glises nationales de Rome. Voir ici :\u00a0<a href=\"http:\/\/web.philo.ulg.ac.be\/transitions\/emilie-corswarem\/\">http:\/\/web.philo.ulg.ac.be\/transitions\/emilie-corswarem\/<\/a><\/p>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Page personnelle<\/strong><\/div><div class=\"su-spoiler-content\">\n<p style=\"text-align: justify;\"><a href=\"http:\/\/web.philo.ulg.ac.be\/transitions\/le-modele-musical-des-eglises-nationales-a-rome-a-lepoque-baroque\/\" target=\"_blank\">Page 1<\/a><br \/>\n<a href=\"https:\/\/ulg.academia.edu\/MusicNationalChurchesLemod\u00e8lemusicaldes\u00e9glisesnationales\u00e0Rome\u00e0l\u00e9poquebaroque\" target=\"_blank\">Page 2<\/a><\/p>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Adresse de contact<\/strong><\/div><div class=\"su-spoiler-content\">\n<p><a href=\"mailto:E.Corswarem@ulg.ac.be\" target=\"_blank\">E.Corswarem@ulg.ac.be<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div><div class=\"clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3421","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/comments?post=3421"}],"version-history":[{"count":3,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3421\/revisions"}],"predecessor-version":[{"id":5039,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3421\/revisions\/5039"}],"wp:attachment":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/media?parent=3421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}