{"id":3423,"date":"2014-07-03T10:44:32","date_gmt":"2014-07-03T09:44:32","guid":{"rendered":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/?page_id=3423"},"modified":"2021-04-25T08:11:59","modified_gmt":"2021-04-25T07:11:59","slug":"ralph-dekoninck","status":"publish","type":"page","link":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/ralph-dekoninck\/","title":{"rendered":"Ralph Dekoninck"},"content":{"rendered":"<div class=\"heading-wrapper\"><h6><span class=\"heading-line-left\"><\/span><strong>Membres<\/strong><span class=\"heading-line-right\"><\/span><\/h6><\/div>\n<div class=\"column column-1-3\"><div class=\"staff-wrapper\"><img decoding=\"async\" src=\"\" alt=\"\"\/><div class=\"person-name\">Ralph Dekoninck<i class=\"moon-users-2\"><\/i><\/div><div class=\"person-title\">UCL<\/div><div class=\"person-description\"><\/div><\/div><\/div>\n<div class=\"column column-2-3 column-last\">\n<div class=\"su-accordion\">\n<div class=\"su-spoiler su-spoiler-style-1 su-spoiler-open\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Pr\u00e9sentation<\/strong><\/div><div class=\"su-spoiler-content\" style=\"display:block\">\n<p>Professeur \u00e0 l\u2019Universit\u00e9 catholique de Louvain, co-directeur du Centre d\u2019analyse culturelle de la premi\u00e8re modernit\u00e9 (GEMCA), membre de l\u2019Acad\u00e9mie royale de Belgique (Classe des Arts), Ralph Dekoninck poursuit des recherches sur les rapports entre th\u00e9orie de l\u2019image et th\u00e9orie de l\u2019art \u00e0 l\u2019\u00e9poque moderne, sur les formes et figures de l\u2019idol\u00e2trie dans l\u2019imaginaire moderne, sur la culture du spectacle baroque ainsi que sur les rapports entre image, religion et violence. Ses int\u00e9r\u00eats scientifiques se portent \u00e9galement sur des questions d\u2019historiographie et d\u2019\u00e9pist\u00e9mologie de l\u2019histoire de l\u2019art.<\/p>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Choix de publications<\/strong><\/div><div class=\"su-spoiler-content\">\n<ul>\n<li style=\"text-align: justify\"><em>Ad Imaginem. Statuts, fonctions et usages de l\u2019image dans la litt\u00e9rature spirituelle j\u00e9suite du xvii<sup>e<\/sup> si\u00e8cle<\/em>, Gen\u00e8ve, Droz, 2005 (<em>Travaux du Grand Si\u00e8cle<\/em>, XXVI)<\/li>\n<li style=\"text-align: justify\"><em>L\u2019idole dans l\u2019imaginaire occidental<\/em>, R. Dekoninck et M. Watthee-Delmotte (\u00e9ds), Paris, L\u2019Harmattan, 2005.<\/li>\n<li style=\"text-align: justify\"><em>Fou comme une image. Puissance et impuissance de nos idoles<\/em>, Bruxelles, Labor (coll. \u00ab\u00a0Quartier Libre\u00a0\u00bb), 2006.<\/li>\n<li style=\"text-align: justify\"><em>Emblemata sacra. Rh\u00e9torique et herm\u00e9neutique du discours sacr\u00e9 en images<\/em>, R. Dekoninck et A. Guiderdoni (\u00e9ds), Brepols, Turnhout, 2007.<\/li>\n<li style=\"text-align: justify\"><em>Aux limites de l\u2019imitation. L\u2019ut pictura poesis \u00e0 l\u2019\u00e9preuve de la mati\u00e8re<\/em>, R. Dekoninck, A. Guiderdoni et N. Kremer (\u00e9ds), Amsterdam, Rodopi, 2009.<\/li>\n<li style=\"text-align: justify\"><em>L\u2019art en valeurs<\/em>, R. Dekoninck et D. Lories (\u00e9ds), Paris, L\u2019Harmattan, 2011<\/li>\n<li style=\"text-align: justify\"><em>Relations artistiques entre l\u2019Italie et les anciens Pays-Bas (16<sup>e<\/sup>-17<sup>e<\/sup> si\u00e8cles), <\/em>R. Dekoninck (\u00e9d.),Turnhout, Brepols, 2012.<\/li>\n<li style=\"text-align: justify\"><em>Ut pictura meditatio. The Meditative Image in Nothern Art, 1500-1700<\/em>, R. Dekoninck, A. Guiderdoni et W. Melion (\u00e9ds), Turnhout, Brepols, 2012.<\/li>\n<li style=\"text-align: justify\"><em>Fictions sacr\u00e9es. Esth\u00e9tique et th\u00e9ologie durant le premier \u00e2ge moderne<\/em>, R. Dekoninck, A. Guiderdoni et E. Granjon (\u00e9ds), Louvain, Peeters, 2013.<\/li>\n<li style=\"text-align: justify\"><em>Questions d\u2019ornement (xv<sup>e<\/sup>-xviii<sup>e<\/sup> si\u00e8cles)<\/em>, R. Dekoninck, C. Heering et M. Lefftz (\u00e9ds)Turnhout, Brepols, 2014.<\/li>\n<li style=\"text-align: justify\"><em>Machinae spirituales<\/em>. <em>Les retables baroques dans les Pays-Bas m\u00e9ridionaux et en Europe. Contributions \u00e0 une histoire formelle du sentiment religieux au xvii<sup>e<\/sup> si\u00e8cle<\/em>, R. Dekoninck et B. d\u2019Hainaut-Zveny (\u00e9ds), Bruxelles, IRPA-KIK (<em>Artis Scientia<\/em>), 2014.<\/li>\n<\/ul>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Adresse de contact<\/strong><\/div><div class=\"su-spoiler-content\">\n<p><a href=\"mailto:ralph.dekoninck@uclouvain.be\">ralph.dekoninck@uclouvain.be<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div><div class=\"clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3423","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/comments?post=3423"}],"version-history":[{"count":4,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3423\/revisions"}],"predecessor-version":[{"id":5308,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3423\/revisions\/5308"}],"wp:attachment":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/media?parent=3423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}