{"id":3431,"date":"2014-07-03T10:45:44","date_gmt":"2014-07-03T09:45:44","guid":{"rendered":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/?page_id=3431"},"modified":"2016-12-01T15:10:33","modified_gmt":"2016-12-01T14:10:33","slug":"ingrid-falque","status":"publish","type":"page","link":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/ingrid-falque\/","title":{"rendered":"Ingrid Falque"},"content":{"rendered":"<div class=\"heading-wrapper\"><h6><span class=\"heading-line-left\"><\/span><strong>Membres<\/strong><span class=\"heading-line-right\"><\/span><\/h6><\/div>\n<div class=\"column column-1-3\"><div class=\"staff-wrapper\"><img decoding=\"async\" src=\"\" alt=\"\"\/><div class=\"person-name\">Ingrid Falque<i class=\"moon-users-2\"><\/i><\/div><div class=\"person-title\">UCL<\/div><div class=\"person-description\"><\/div><\/div><\/div>\n<div class=\"column column-2-3 column-last\">\n<div class=\"su-accordion\">\n<div class=\"su-spoiler su-spoiler-style-1 su-spoiler-open\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Pr\u00e9sentation<\/strong><\/div><div class=\"su-spoiler-content\" style=\"display:block\">\n<p style=\"text-align: justify;\">Docteur enHistoire, art et arch\u00e9ologie (ULg, 2009), Ingrid Falque consacre ses recherches aux relations entre art, images et spiritualit\u00e9 \u00e0 la fin du Moyen \u00c2ge et au d\u00e9but de l\u2019\u00e9poque moderne. Sa th\u00e8se de doctorat (dont elle pr\u00e9pare actuellement la publication chez Brill) a envisag\u00e9 la question des rapports que la peinture flamande des 15e et 16e si\u00e8cles entretient avec les pratiques m\u00e9ditatives de l\u2019\u00e9poque et ce, par le biais de l\u2019\u00e9tude combin\u00e9e du portrait d\u00e9votionnel et de la litt\u00e9rature spirituelle contemporaine (Jan van Ruusbroec, Geert Grote, Gerard Zerbolt van Zutphen).Ses recherchespostdoctorales portent sur la probl\u00e9matique des images chez le mystique rh\u00e9nan Henri Suso (ca. 1295-1366), et prolonge ainsi ses investigations sur les liens qui se tissent entre la litt\u00e9rature mystique et l\u2019imagerie d\u00e9votionnelle \u00e0 la fin du Moyen \u00c2ge. Dans le cadre de son premier mandat postdoctoral \u2013 men\u00e9 \u00e0 l\u2019Universit\u00e9 de Leiden dans le cadre d\u2019un <em>Marie Curie Intra-European Fellowship for Career Development<\/em> \u2013 elle s\u2019est ainsi concentr\u00e9e sur les rapports textes\/images et la th\u00e9orie de l\u2019image d\u00e9velopp\u00e9e par Suso dans l\u2019<em>Exemplar<\/em>, un recueil de ses \u0153uvres en langue vernaculaire accompagn\u00e9 de dessins. Son second mandat postdoctoral \u2013 d\u00e9but\u00e9 en septembre 2013 au sein du GEMCA \u00e0 l\u2019UCL \u2013 prolonge ces recherches en repla\u00e7ant la th\u00e9orie de l\u2019image de Suso dans son contexte et en \u00e9tudiant sa r\u00e9ception durant la premi\u00e8re modernit\u00e9.<\/p>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Choix de publications<\/strong><\/div><div class=\"su-spoiler-content\">\n<ul>\n<li style=\"text-align: justify;\"><em>Images fixes \/ Images en mouvement<\/em>, n\u00b0 5 de la revue<em> MethIS. M\u00e9thodes et Interdisciplinarit\u00e9 en Sciences humaines<\/em>, M. Bert, I. Falque, M. Hagelstein (\u00e9ds) (publication pr\u00e9vue fin 2014).<\/li>\n<li style=\"text-align: justify;\"><em>Mobility of Ideas and Transmission of Texts<\/em>, M. Abram, A. Dlabacova, I. Falque, G. Signore (\u00e9ds), Rome, Edizione di Storia e Letteratura (coll. Manuscripts-Ideas-Culture) (publication pr\u00e9vue d\u00e9but 2015)<\/li>\n<li style=\"text-align: justify;\">\u00ab\u00a0<em>Ung petit tableau fermant a deux fuilletz<\/em>. Notes sur l\u2019\u00e9volution formelle et les voies de diffusion du diptyque \u00e0 portrait d\u00e9votionnel dans les anciens Pays-Bas aux XVe et XVIe si\u00e8cles\u00a0\u00bb, dans <em>Le Moyen \u00c2ge<\/em>, CXVII\/1, 2012, pp. 89-127.<\/li>\n<li style=\"text-align: justify;\">\u00ab\u00a0\u201cMise en mots\u201d et \u201cmise en image\u201d du processus spirituel\u00a0: vers une nouvelle approche du portrait d\u00e9votionnel dans la peinture flamande de la fin du Moyen \u00c2ge\u00a0\u00bb, dans R. Dekoninck, E. Granjon et A. Guiderdoni (\u00e9ds.),<em> Fiction sacr\u00e9e. Esth\u00e9tique et spiritualit\u00e9 au d\u00e9but de la p\u00e9riode moderne<\/em>, Louvain, Peeters (coll. Art and Religion), 2013, pp. 289-317.<\/li>\n<li style=\"text-align: justify;\">\u00ab\u00a0<em>See, the Bridegroom Cometh; Go out to Meet Him<\/em>. On Spiritual Progress and Mystical Union in Early Netherlandish Painting\u00a0\u00bb, dans W. Melion<em>, <\/em>M. Weemans et J. Clifton (\u00e9ds), <em>Imago Exegetica: Visual Images as Exegetical Instruments, 1400-1700<\/em>, Leyde, Brill, pp. 361-385.<\/li>\n<\/ul>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Adresse de contact<\/strong><\/div><div class=\"su-spoiler-content\">\n<p style=\"text-align: justify;\">\u00a0<a href=\"mailto:ingrid.falque@uclouvain.be\">ingrid.falque@uclouvain.be<\/a><\/p>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-1\"><div class=\"su-spoiler-title\"><i class=\"moon-arrow-right-2 spoiler-button\"><\/i><i class=\"moon-arrow-down spoiler-button spoiler-active\"><\/i><strong>Page personnelle<\/strong><\/div><div class=\"su-spoiler-content\">\n<p style=\"text-align: justify;\">\u00a0<a href=\"http:\/\/gemca.fltr.ucl.ac.be\/php\/cv\/falque.fr.php\" target=\"_blank\">http:\/\/gemca.fltr.ucl.ac.be\/php\/cv\/falque.fr.php<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div><div class=\"clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3431","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/comments?post=3431"}],"version-history":[{"count":2,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3431\/revisions"}],"predecessor-version":[{"id":5054,"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/pages\/3431\/revisions\/5054"}],"wp:attachment":[{"href":"http:\/\/web.philo.ulg.ac.be\/culturessensibles\/wp-json\/wp\/v2\/media?parent=3431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}